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COMPLETE AUDITION BOOK FOR YOUNG ACTORS
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THE COMPLETE AUDITION BOOK FOR YOUNG ACTORS
By: Roger Ellis
Synopsis  |  Table of Contents
TABLE OF CONTENTS
 
Acknowledgments  . . . . . . . . . . . . . . . . . . . . . . . . .1
 
Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . .3
To the Young Actor . . . . . . . . . . . . . . . . . . . . . . . .3
To Teachers and Coaches  . . . . . . . . . . . . . . . . . . . . .5
 
CHAPTER ONE: The Fundamentals--"Gimme Attitude!" . . . . . . . . .9
Motivation and Self-Respect  . . . . . . . . . . . . . . . . . . .9
The Fun of Competition . . . . . . . . . . . . . . . . . . . . . .10
The Need for Constant Training . . . . . . . . . . . . . . . . . .13
Life After Acting  . . . . . . . . . . . . . . . . . . . . . . . .14
 
CHAPTER TWO: School Days--"Beam Me Up, Scotty" . . . . . . . . . .19
Back Where You Belong  . . . . . . . . . . . . . . . . . . . . . .19
Complacency Is the Kiss of Death . . . . . . . . . . . . . . . . .21
Getting Your Act Together  . . . . . . . . . . . . . . . . . . . .22
Get Involved in Stage Work . . . . . . . . . . . . . . . . . . . .26
Learn to Take Criticism (and never apologize)  . . . . . . . . . .28
The Actor's Journal  . . . . . . . . . . . . . . . . . . . . . . .35
Review and Reflection  . . . . . . . . . . . . . . . . . . . . . .39
 
CHAPTER THREE: The Auditions Context--"O Brave New World!" . . . .43
The High School Auditions Context  . . . . . . . . . . . . . . . .43
What You Can Expect in Community Theatre Auditions . . . . . . . .48
What You Can Expect in College and University Auditions  . . . . .51
What You Can Expect in ACTF and URTA Auditions . . . . . . . . . .55
What You Can Expect in Auditions for Regional Theatre  . . . . . .58
Review and Reflection  . . . . . . . . . . . . . . . . . . . . . .67
 
CHAPTER FOUR: Background Skills--"Cut to the Chase!" . . . . . . .71
Getting the Self-Image Straight  . . . . . . . . . . . . . . . . .71
Getting the Voice in Shape . . . . . . . . . . . . . . . . . . . .80
Getting the Body in Shape  . . . . . . . . . . . . . . . . . . . .88
Review and Reflection  . . . . . . . . . . . . . . . . . . . . . .96
 
CHAPTER FIVE: Selecting Material--"Words, words, words"  . . . . .99
Suitability and Appropriateness  . . . . . . . . . . . . . . . . .99
Review and Reflection  . . . . . . . . . . . . . . . . . . . . . .121
 
CHAPTER SIX: Preparing the Audition--"No excuses, please!" . . . .123
Work on Your Own . . . . . . . . . . . . . . . . . . . . . . . . .123
Preparing Your Script  . . . . . . . . . . . . . . . . . . . . . .124
Paraphrasing . . . . . . . . . . . . . . . . . . . . . . . . . . .125
Goals, Obstacles, and Actions  . . . . . . . . . . . . . . . . . .138
Vocal Rehearsals . . . . . . . . . . . . . . . . . . . . . . . . .145
Movement Rehearsals  . . . . . . . . . . . . . . . . . . . . . . .149
Working with a Coach . . . . . . . . . . . . . . . . . . . . . . .156
Review and Reflection  . . . . . . . . . . . . . . . . . . . . . .159
 
CHAPTER SEVEN: Performing the Audition--"Your Little Nugget" . . .161
Staying Fresh or Going Stale . . . . . . . . . . . . . . . . . . .161
Arrival and Preparation  . . . . . . . . . . . . . . . . . . . . .164
The Audition Performance . . . . . . . . . . . . . . . . . . . . .167
The Afterglow  . . . . . . . . . . . . . . . . . . . . . . . . . .171
Review and Reflection  . . . . . . . . . . . . . . . . . . . . . .175
 
CHAPTER EIGHT: Cold Readings--"The Chips Are Down" . . . . . . . .177
What is the Cold Reading?  . . . . . . . . . . . . . . . . . . . .177
Preparing for Cold Readings  . . . . . . . . . . . . . . . . . . .180
Performing Cold Readings . . . . . . . . . . . . . . . . . . . . .183
Callbacks and Interviews . . . . . . . . . . . . . . . . . . . . .196
The Wrap . . . . . . . . . . . . . . . . . . . . . . . . . . . . .203
Review and Reflection  . . . . . . . . . . . . . . . . . . . . . .203
 
CHAPTER NINE: Musical Theatre Auditions--"Get the Leg Up"  . . . .207
The Allure of the Musical  . . . . . . . . . . . . . . . . . . . .207
Building a Healthy Attitude  . . . . . . . . . . . . . . . . . . .209
Problems with Musical Auditions  . . . . . . . . . . . . . . . . .212
Selecting the Song . . . . . . . . . . . . . . . . . . . . . . . .219
Rehearsing the Song  . . . . . . . . . . . . . . . . . . . . . . .223
Staging Points for Singing Auditions . . . . . . . . . . . . . . .230
Review and Reflection  . . . . . . . . . . . . . . . . . . . . . .231
 
CHAPTER TEN: Supporting Materials--"The Paper Chase" . . . . . . .233
Developing Your Acting Resume  . . . . . . . . . . . . . . . . . .233
Developing Your Photo Materials  . . . . . . . . . . . . . . . . .239
Related Supporting Materials: Show Photos, Reviews, Testimonials, Coverletters,
and Post Cards . . . . . . . . . . . . . . . . . . . . . . . . . .243
The Audition Wardrobe  . . . . . . . . . . . . . . . . . . . . . .245
Review and Reflection  . . . . . . . . . . . . . . . . . . . . . .248
 
CHAPTER ELEVEN: Auditions and the Computer--"Get Wired!" . . . . .251
Actors and Computers . . . . . . . . . . . . . . . . . . . . . . .251
Correspondence and Networking  . . . . . . . . . . . . . . . . . .252
Industry News  . . . . . . . . . . . . . . . . . . . . . . . . . .255
Background Resources . . . . . . . . . . . . . . . . . . . . . . .257
Job Information  . . . . . . . . . . . . . . . . . . . . . . . . .260
Computer Savvy . . . . . . . . . . . . . . . . . . . . . . . . . .262
Review and Reflection  . . . . . . . . . . . . . . . . . . . . . .266
 
APPENDIX A: Scenes and Monologs for Class Work . . . . . . . . . .269
 
APPENDIX B: Selected Auditioning Resources . . . . . . . . . . . .274
 
APPENDIX C: Supporting Materials for Media Acting  . . . . . . . .283
 
APPENDIX D: Auditioning for Colleges, College Scholarships,
and Graduate Schools . . . . . . . . . . . . . . . . . . . . . . .291
 
About the Author . . . . . . . . . . . . . . . . . . . . . . . . .295
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