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Bill Gibson
I get a big kick out of hearing from people who have been helped by my books. My aspirations in Junior High and High School were to become a recording engineer, so I read every book and magazine I could get my hands on. However, if I would have had someone tell me the stuff I write about today, when I was young, I would have been light years ahead in my early career. Directly out of college I taught music in a college in Seattle for three years. I decided I would rather get out and do music. I taught recording classes for about 10 years while at the same time performing music around the country, which is where I began to develop a number of pragmatic explanations for complex recording tasks. Much of the material for my first books were a product of teaching these classes. In 1991, a buddy (Bob Sluys) and I produced "Killer Demos: Hot Tips and Cool Secrets for the Home Multitrack User." This video sold pretty well and started the machine in motion that would end up with my first book for MixBooks in 1996. Mike Lawson, the GM for MixBooks built a great library, which he ended up purchasing from Mix Magazine to start Artistpro.com. For Mike and Artistpro, I wrote several more books along with a complete online course, with automatically-graded and critiqued online tests.
Works by Bill Gibson on dominionpub.com:
ULTIMATE LIVE SOUND OPERATOR'S HANDBOOK
Includes high-quality DVD. This was written to specifically address the concerns and needs of sound operators of all types. High-quality audio is imperative, whether you're running sound for a rock, country, punk, or jazz band performing in clubs, arenas, or outdoor parks. With the advent and implementation of large-budget... read more
ULTIMATE LIVE SOUND OPERATOR'S HANDBOOK - 2ND EDITION
The second edition of The Ultimate Live Sound Operator's Handbook is updated with new text, photos, illustrations, and video examples to specifically address the important, cutting-edge concerns faced by modern sound operators of all types. High-quality audio is increasingly imperative, whether you're running sound for a rock,... read more

 
 
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