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Deal of the Week
SHAKESPEARE MONOLOGUES FOR YOUNG MEN
By: L. Dixon
Fifty fresh speeches from William Shakespeare's plays, hand-picked for young people and prefaced with easy-to-use guides that explain who is speaking; where, when, and to whom; what has just happened in the play; and what the character's objectives are—everything actors need to know!
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Shakespeare
ACTING IN SHAKESPEARE
By: Robert Cohen
Acting in Shakespeare helps actors at all levels develop the skills they need to perform in Shakespearean plays. Lessons proceed in carefully graduated steps from simple, single lines to short speeches to more difficult, sophisticated scenes. A wealth of historical information and insightful descriptions of Shakespearean times and... read more
FREEING SHAKESPEARE'S VOICE
By: Kristin Linklater
Accredited voice teacher, actor, and director Kristin Linklater goes beyond the techniques developed in her classic text, Freeing the Natural Voice, to a passionate and practical exploration of the works of William Shakespeare. This book makes a point of providing theatre artists with the tools to increase understanding of the... read more
MORE SCENES FROM SHAKESPEARE
By: William Shakespeare, Michael Wilson
Twenty cuttings for acting and directing practice. A better way to get students excited about acting Shakespeare, from a twenty-year drama instructor. Breaking Shakespeare’s plays into small, workable scenes improves students’ interest, enthusiasm, and performance. Each scene is preceded by a list of lead and supporting characters and... read more
PLAY WITH SHAKESPEARE
By: Linda Burson
Four assembly-length adaptations of Shakespearean plays, 13 short scenes, synopses of nine plays, with questions for discussion, plus comprehensive chapters on warmups, improvisations, directing and performing. The quest for good material for young performers, in school and out, sooner or later leads to Shakespeare—wonderful material,... read more
SCENES FROM SHAKESPEARE
By: William Shakespeare, Michael Wilson
Fifteen cuttings for the classroom. Many instructors teach Shakespeare by studying only one of his many plays, owing to time constraints. Now students are able to easily study a variety of his works and come to a more complete understanding of the world’s most famous playwright. Only scenes with small casts, between two and seven... read more
SHAKESPEARE ALIVE!
By: Rick Hamilton, Fredi Olster, William Shakespeare
Two-minute speeches and monologues for study, audition, and performance by Fredi Olster and Rick Hamilton. "Highly recommended and unusual in many respects. First, each monologue is presented in a side-by-side format, with the original on the left, and on the right a rewording in modern English to help the actor fully understand the... read more
SHAKESPEARE FOR AMERICAN ACTORS AND DIRECTORS
By: Aaron Frankel
Fear grips many American actors and directors faced with the opportunity to perform Shakespeare live. The challenges of Elizabethan British speech patterns, the thought of using verse for hours, the debate over staging a period piece versus "updating" the Bard of Avon-all can cause psychogenic trauma on this side of the Atlantic. In... read more
SHAKESPEARE MONOLOGUES FOR YOUNG MEN
By: Luke Dixon
Fifty fresh speeches from William Shakespeare's plays, hand-picked for young people and prefaced with easy-to-use guides that explain who is speaking; where, when, and to whom; what has just happened in the play; and what the character's objectives are—everything actors need to know!
SHAKESPEARE MONOLOGUES FOR YOUNG WOMEN
By: Luke Dixon
Fifty fresh speeches from William Shakespeare's plays, hand-picked for young women and prefaced with easy-to-use guides. Drawing on his experience as an acting and audition coach, Luke Dixon has selected fifty monologues for young women drawn from across the Shakespeare canon.
WILL POWER
By: John Basil, Stephanie Gunning
Thousands of young people set their sights on becoming professional actors each year, hoping to get a foot in the door with a solid resumé built in high school, college, and local theatre company productions. But competition for parts is fierce, and no list of credits is complete without competency in the classical works of... read more

 
 
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